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man who set himself up as Nina’s manager in the Sixties and kept her in line with beatings.

Simone’s life is now the subject of an eagerly anticipated Hollywood biopic, Nina, starring Zoe Saldana.

It was due out in March, but the release date was postponed when writer and director Cynthia Mort became locked in a protracted legal dispute with the producers.

Mort says she’s been cut out of the final editing process and is demanding to be reinstated.

Even in death, it seems, the life of Nina Simone remains the subject of intense controversy.

Born Eunice Way-mon in America’s Deep South, Nina was a child prodigy whose parents were determined to realise her ambition of becoming the first black concert pianist.

Denied a place at a distinguished white music school, Simone would craft what she called ‘black classical music’, a mix of jazz, gospel, blues, folk and soul.

During the Sixties, Simone, who had seen how racists made her parents sit at the back of the hall during her early recitals, would become an icon to the civil rights movement, although she clashed with Martin Luther King over his non-violent approach to reform.

She channelled her anger into songs such as Mississippi Goddam, composed in response to the killing of a black man in 1963, and Four Women, which deals with the issue of how black women are treated in society.

In 1970, with the peak of her career behind her, Nina and Lisa fled from the abusive Stroud for Barbados, where Nina began an affair with the married Prime Minister Errol Barrow.

When Barrow discarded the tempestuous and impoverished singer, her daughter felt the consequences.

‘I got my first job in Barbados. I was ten or 11, old enough to file papers. I had no option.’

Nina lost her home and control of her business affairs after court battles with the U.S. Inland Revenue Service.

Her response was to move to Liberia at the invitation of exiled South African musical icon Miriam Makeba.

Lisa remembers Liberia’s capital Monrovia as a rare oasis of stability – as long as her mother was absent.

‘It was one of the happiest periods of my life’, she says.

‘I went to school there and I lived with a surrogate family. But then my mother decided to join me and it went downhill.

‘At 12 I ended up driving around on my own in a Pontiac Catalina running errands. I had to grow up fast.’

In 1976 Nina moved again, this time to Geneva, where she enrolled Lisa in an international boarding school.

But Switzerland would become yet another family battleground, and Lisa eventually moved back to the U.S., as an engineer in the Air Force.

She quit the military in 1992, at 29, initially to become a backing singer, performing under the name Simone Kelly.

Nina was not impressed.

‘My mother had one word when I told her: “Why?” I said: “Why not?”

‘I hoped she could tell me where the potholes were in the music industry but she gave me reasons why I shouldn’t do it.

‘She said the industry and critics would have a field day with me, and that I would be expected to be a piano virtuoso, like her, and be forever tied down to singing her songs.’

In 2001 Nina saw her daughter take to the stage as the lead in the Broadway production of Elton John’s musical hit Aida but two years later she would be dead from breast cancer.

Her will named tax adviser Mark Penniman as her executor. Lisa sued, claiming Nina had revoked the document before dying and that Penniman had mishandled her assets.

The pair were at war until 2006 when a Californian court found in her favor.

Soon after, an even more explosive fight erupted, this time with her father.

Court documents accuse him of trying to cash in on his ex-wife’s name by claiming ownership of hundreds of her recordings, allegedly gifted to him as part of their 1972 divorce settlement.

Lisa and her team have attempted to wrest them back for the estate – only to have Stroud sue Lisa for copyright infringement and punitive damages. They in turn claim his actions have devalued and diminished the true worth of Nina’s legacy.

‘My mother did not make all those sacrifices for her estate to be thrown away,’ Lisa says today.

‘I did not go through what I did to have her contribution forgotten.

‘I had no relationship with my father. He thought he could use me to get control of my mother’s estate and when I decided to stand my ground he decided to make my life a living hell.’

The unfolding anarchy surrounding the new Saldana film Nina seems an appropriate reflection of her chaotic life, and it produces a wry smile from Lisa.

‘They did not ask me or the Nina Simone estate to participate in the film at all. It is based on a lie because it is based on the life of my mother’s assistant, Clifton Henderson.

‘Clifton was gay so he could not have had an affair with my mother, which is what the film implies.

‘And my mother was raised at a time when she was told her nose was too wide, her skin was too dark…

‘She was rejected by the U.S. She loved classical music and wanted to become the first black classical pianist but her dreams turned to dust because of the color of her skin.

‘Zoe Saldana portraying her is a bad joke because there are more gifted actresses who are more in keeping with my mother’s appearance.

‘I know how my mother would feel about Zoe, so they are making a mockery of her experiences to construct their own truth.

‘The goal seems to be to bleed me dry of everything my mother stood for, of everything she sacrificed.

‘She had many experiences in her life that left her feeling sad and angry. They approached the estate for permission to use some of the songs but as administrator I refused.

‘I had the biggest laugh when I heard that Cynthia Mort had been pushed out of the film. You could call it karma. There is most certainly a divine order at work.’

Now aged 51 and living at her mother’s house outside Marseilles, Lisa believes she has finally found a degree of professional and personal satisfaction.

This autumn she is bringing out a new album, All Is Well, and has embarked on a tour of Europe.

A judgment is expected in a Californian court later this summer that will help determine whether Lisa will finally win control over her late mother’s estate.

The contrast with Nina couldn’t be sharper.

‘I have been married 18 years, I have a good relationship with my children and I hope I’ll get to die with a smile on my face surrounded by my family.

‘My mother never got that. She passed away still in search of comfort and love. Perhaps if she had them, she might, in the end, have known peace.’

The family of Nina Simone is suing HTC Corporation, a Taiwanese smartphone creator, for use of those famed train-sounding piano chords she plays at the beginning of her “Sinnerman.” According to the suit, HTC did not get clearance and the estate wants at least $1 million.

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